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January 26, 2010
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The old prophets said the world would end in fire, and they were right. They could not have known the truth, the scientific facts behind the Sun's aging, swelling body. They didn't know that Earth would become just another Venus in time. They did not know that no god was necessary for the end.

The scientists knew it would happen-they had the facts. They had a plan. They'd get all of us off the planet, we'd go somewhere else. All of us, they insisted, there would be room for all of us. They had plenty of time to prepare.

But everyone knew that some would be left behind, because there would always be some undesirable peoples, political enemies and the Other to exclude. And so we fought, started and ended wars with the push of a button and did half the Sun's work for him.

We were people scrambling, rushing towards the fire exit-trampling screaming clawing crushing climbing pushing fighting our way to the only door and we had all been told to Proceed Calmly Towards the Exit but it didn't matter because the fire was at our backs-or so we thought-and in our blind fear we didn't realize that we all could have made it out ok but the panic drove us on and so only the lucky the strong the agile made it out and the rest burned or were trampled because a man backed into a corner is not a man but a beast and we all played our part-nobody said calm down, nobody even tried.

I am not different, I am not the exception. I have killed millions with my silence.

Out of the dim building and into bright sunlight we few survivors crawled, ash-covered as if in mourning. The scientists picked up the pieces of the plan and built the ship; there was extra room. No one would speak of it. The death of billions made the trip comfortable for the rest of us.

I wept as I painted my suite red; they came and gave me drugs but I didn't want them. I wanted to remember the color of fire and blood, the color of panic.

They named the ship Noah's Arc. I laughed the loudest when I heard. "God kept his promise, after all!" I shouted as they quietly gave me more drugs. I told them not to bother; they could not right the wrongs we committed together.

We left Earth and I wasn't sad until I saw the deep scars in the planet, gouged with fire. I didn't want to remember my home that way, but now that is what I think of when I say Earth and Earth is always in my mind a building on fire full of unthinking creatures that only look like men and women.

When the bloated Sun finally consumes the Earth, we will not be homeless anymore. We will have settled on some other world, thrust our roots into alien soil and we will have forgotten the past like we always do. I will not be there to see the fire-ripped continents dissolve and return to the Sun. I will not see hundreds of thousands of years of Human Progress melt and collapse, but it will happen.

I wish that I could say with conviction that if I could stand there on Earth when the fire came that I would, but I know it isn't true. I did not stand and die when the bombs fell because I am a coward. If I said I would end my life to pay for the sins that scarred my mind as surely as the fire scarred the Earth I would be lying. I did not crawl my way to freedom just to turn around and throw myself back into a madhouse.

But I do wish I could watch the Earth give its final fleeting breath and die in the arms of the aging Sun. I would sigh with relief when I saw that the last evidence of our mutual atrocities had become nothing.

I am insane because I cannot look forward; I do not need doctors to tell me this. I close my eyes and I am pressing my hand against the window watching Earth drift away as I have never seen or dreamed of it before as I could have never imagined it before and the dead burned patches of ground are part of me and I open my eyes to find that people are burning and screaming for help and I stand and watch their skin turn black and crisp and the fat oozes and I don't feel sorry for them at all and I don't cry for them at all-I am crying for myself because I am truly happy that I am not them and when I realize that there is no room for pity in me anymore I know that I cannot escape this moment. I have ceased to be human. I am a moment played over and over again.

And so they drift, looking for home, waiting for the dove to come back with a branch and I can only look at the flat black blanket dusted with stars and wonder how many planets will die before we do, how many times will we make mad dashes for the sky and leave the weak behind to burn?
:iconnoxlamiarum:
I couldn't sleep because this was rattling around in my brain too loudly. I have never written something so quickly or with so little planning before hand. Turns out the Muses decided to kick me in the back of the head instead of their usual gentle nudges.

A story about the natural end of Earth, no human interaction required.

Lack of punctuation is on purpose; this is a very stream-of-consciousness piece of writing. I figure if Faulkner can has bad grammar, I can has bad grammar too.

Prose, plot, etc., Copyright Katherine E. Hillis
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:iconarcharad:
The stream-of-consciousness style to this piece gives everything a breathless, out-of-control feel. This results in the reader being pulled into and separated from the story at different points. I am presonally not a huge fan of this style of writing, but it is very effective in conveying the fracturing of the narrator's mind. And of humanity as a whole.

I agree with `ATrue that you should probably look into breaking up the fourth paragraph, even into only two sentences. I would suggest a fullstop between ok and but as these are linked, but separate ideas. It would improve the flow and stop many of your ideas getting lost in the rush of words. You can preserve that feeling of desperation that comes across so well, but still allow your writing to be noticed.

With regards to theme - I really like the repeated references to fire. You use it to tie together the different kinds of destruction in the story:
  • The heat and fire of the Sun indicating the Earth's ultimate fate.

  • The red of the narrator's room as a reminder of fire and violence.

  • The scars of the planet where mankind has let free their own fire in the form of violence.

There are other references, but these were the main ones that leapt out at me as I read.

One of the major points that stands out for me in this story is the idea that deep down humanity is still ruled by animal instinct. The will to live quickly overrides any morality. You show this well when the narrator says "I don't feel sorry for them at all and I don't cry for them at all-I am crying for myself because I am truly happy that I am not them".

Your link to the biblical story of Noah and the arc is also well done. You start by referencing the prophets (to me this implies the biblical prophets) and their vision of "the end". In many ways the flood could be seen as the precursor to this death by fire. The naming of the ship built by the scientists echoes this theme. The final reference to the dove and branch ties it all together. There is the added irony that the dove is a symbol of peace and that every one on the ship got there because they were prepared to trample their way past those more weak than them.

I hope that this critique helps in some way. But remember that it is only my opinion, so take what works for you and leave the rest.

Keep writing!
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:iconstacked-burned-lied:
First of all, I love the premise. I'm so sick and tired of seeing nukes/zombies/vampires/bees/asteroids ending the world. It's an interesting take on the apocalypse. However, I did notice a couple, completely understandable, hiccups (If you haven't guessed by now, I want to write a critique, but lack a premium membership).

My first issue is with with the introductory paragraph, where it describes the Earth turning into 'another Venus', when in actuality, the star's core will collapse and create a black hole, sucking everything into oblivion. I know, I know, this is some MAJOR nitpicking, but it just broke the narration for me; I don't expect it to be a concern for most, however. A more relevant criticism is how you skim over the wars that occur in the meantime. I mean, there's no need to get sidetracked, but a little example or anecdote would enhance the doomsday feel quite a bit. The fourth paragraph is in dire need of some syntax rethinking, actually, examining it now, it's all one huge sentence. Even in the most personal retelling, punctuation is your friend.

'I painted my suit red'-huh? Was there a stockpile of red paint in this ravaged, destroyed future? Is it a metaphor? And why were you given drugs? This could definitely use some poetic (or even concrete) fleshing out here. Also, giving us a little insight into who 'they' are would go a long way towards better plot cohesion. (this is more nitpicking, but human progress really doesn't need to be capitalized. Adding Capitals For Emphasis Is Common But Completely Unnecessary, And Hard On The Reader).

The eleventh paragraph is also requires a bit more grammar. Particularly the statement 'If I said I would end my life to pay for the sins that scarred my mind as surely as the fire scarred the Earth I would be lying'- it sounds like the two events should be switched. I really like the 'aging sun' bit, perhaps you should extend the analogy a bit?

To wit, I disagree with with Arch's disapproval of the stream-of-consciousness, however, it does have to certain thing unintelligible, I mean, look at this one sentence:

'I close my eyes and I am pressing my hand against the window watching Earth drift away as I have never seen or dreamed of it before as I could have never imagined it before and the dead burned patches of ground are part of me and I open my eyes to find that people are burning and screaming for help and I stand and watch their skin turn black and crisp and the fat oozes and I don't feel sorry for them at all and I don't cry for them at all-I am crying for myself because I am truly happy that I am not them and when I realize that there is no room for pity in me anymore I know that I cannot escape this moment.'- It's friggin' enormous and confusing.

A more baseline flaw (well, not so much a flaw, as a cliche) is the 'Main-Character-is-insane' syndrome. It's been used in every media form known to man recently. Personally, I'd mush rather see a stable person try to cope with the trauma than much another crazy person wax philosophical.

I really can't complain too much about the final paragraph, it's pretty thought provoking (although again, all one sentence) and descriptive.

Now, I know all that might've seemed unduly harsh, but at the core, you have a very good idea and theme that could just use some tidying up. If it was extended in certain areas and cleaned up grammatically, it would be a real gem. Keep it up, you could be the next TS Elliot
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:iconnoxlamiarum:
~NoxLamiarum Nov 14, 2010  Hobbyist Digital Artist
:) Thanks for your critique. What you said about the sun turning into a black hole is not at all what the most current science suggests (the sun is much too small to even supernova). It will turn into a red giant, then a brown dwarf (I think; I know the red giant thing is true as far as physicists know).

Your critique of the grammar is nice, but I don't intend to give it any more punctuation. It's not meant to be grammatical :) That's the lovely thing about fiction, it doesn't have to follow all the rules like academic or non-fiction writing. I'm sorry you feel the main character is a cliche, but writing it from the perspective of a sane person wouldn't suit the theme I had in mind for it. (In case it wasn't clear, the character was sane before the war, probably a politician or something, but then started to spiral downwards.)

Again, thanks for the critique!
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:iconstacked-burned-lied:
Haha, like I said, the black hole thing was just a serious piece of nitpicking. My knowledge of astrophysics is...limited. Anyway, I think I might be too concrete minded for this piece (I couldn't sit through Ulysses or Hunger, now that I think about it); too much nonfiction writing I guess.

Anyway, glad you can take conformist critiques like mine in stride.

Actually, you should probably check out Hunger (if you haven't already), by Knut Hamsen. It wasn't my cup of tea, but it deals with the say theme of psychological ruination, albeit on an individual level.
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:iconstacked-burned-lied:
does have the tendency*
watch another crazy*

Yeah, I'm aware of the irony.
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:iconelidhub:
Very gripping. And it's so thought-provoking. It's given me all sorts of ideas... Wonderful.
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:iconnoxlamiarum:
~NoxLamiarum Jul 16, 2010  Hobbyist Digital Artist
:) thank you so much! :hug: I'm glad it inspired you :D
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:iconloofsydobon:
Wonderful! So vivid and full of feeling. The stream of consciousness really works, drawing the reader right in.
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:iconnoxlamiarum:
~NoxLamiarum May 26, 2010  Hobbyist Digital Artist
:) thank you very much! :hug: I'm glad you enjoyed it!
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:iconatrue:
You've been featured here (LITplease related): [link]
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:iconatrue:
Thanks for participating in Community Critics! Please bear with me through this critique, because I will say things you already know (that you refer to in your comments) :)

I think this piece is very well written, entertaining, original, and smart. I have a problem with the stye, however, in that you have a lot of long run-on sentences that make reading this hard. For example, the fourth paragraph, I'm sure you know, is all one sentence. I don't mind that it is a little rambling, but it does need to be broken up a little. I would say a period should come after "made it out ok." The "but" is a great moment to turn it around in a new sentence to show the foolishness of the mindset these people had.

Some tweaking may be necessary in this paragraph as well in punctuation and formatting. For example, "ok" is not really a word, but "okay" is considered one. A simple change like that will polish it a little. Also, I'd throw "or so we thought" into brackets. It is basically a foreshadowing side thought, from the narrator him/herself, not representing the thoughts of people at the time, so separating it from the rest of the text would be nice. A comma is needed after "the rest were burned or were trampled" I think, also. I'd put another sentence break after "not a man but a beast," because after two long sentences a short one will be strong here: "We all played our part: nobody said calm down, nobody even tried."

Now, I realize that part of the rambling of this story is the character's voice, being a little crazy after the ordeal he or she experienced, but you can still get that across without doing it too much, in case that's what you were just thinking (and I know it was). ;) I think moderation is required to make the voice of the character stand out as purposeful rather than as a byproduct of perhaps bad grammar/punctuation. Right now, it's hard to be sure which this is. Taken in moderation however, the narrative voice could be clear and strong.

It's great to have a voice, but you want it to be a strong voice, not a washed out one, you know?

Hope this helps!
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